{"id":206,"date":"2021-10-10T17:07:47","date_gmt":"2021-10-10T17:07:47","guid":{"rendered":"http:\/\/musikkritik.dk\/?p=206"},"modified":"2023-04-17T11:30:51","modified_gmt":"2023-04-17T11:30:51","slug":"musikkonkurrencerne-i-2022","status":"publish","type":"post","link":"http:\/\/musikkritik.dk\/?p=206","title":{"rendered":"Musikkonkurrencerne i 2022"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">1) Claude Debussy: \u00c9tudes, L. 136, CD 143<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2) Ludwig van Beethoven: Strygekvartetter, opus 59, &#8220;Razumovsky-kvartetterne&#8221;, nr. 1, F-dur<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">3) Johannes Brahms: Symfoni nr. 1, C-mol, opus 68<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">4) \u00c9douard Lalo: Symphonie espagnole, D-mol, opus 21<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">5) Arnold Sch\u00f6nberg: Klaverkoncert, opus 42<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">6) Richard Strauss: Violinsonate, Es-dur, opus 18, TrV 151 [s\u00e6rplads: Mayuko Kamio &amp; pianist]<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">7) Maurice Ravel: Gaspard de la nuit, M. 55<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">8) Georg Philipp Telemann: Ouverturesuite, Hamburger Ebb&#8217; und Fluth, TWV 55:C3, &#8220;Wassermusik&#8221;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>1) Claude Debussy: \u00c9tudes, L. 136, CD 143 2) Ludwig van Beethoven: Strygekvartetter, opus 59, &#8220;Razumovsky-kvartetterne&#8221;, nr. 1, F-dur 3) Johannes Brahms: Symfoni nr. 1, C-mol, opus 68 4) \u00c9douard Lalo: Symphonie espagnole, D-mol, opus 21 5) Arnold Sch\u00f6nberg: Klaverkoncert, opus 42 6) Richard Strauss: Violinsonate, Es-dur, opus 18, TrV 151 [s\u00e6rplads: Mayuko Kamio &amp;&hellip; <a class=\"more-link\" href=\"http:\/\/musikkritik.dk\/?p=206\">L\u00e6s mere <span class=\"screen-reader-text\">Musikkonkurrencerne i 2022<\/span><\/a><\/p>\n","protected":false},"author":6,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8],"tags":[],"class_list":["post-206","post","type-post","status-publish","format-standard","hentry","category-konkurrenceliste","entry"],"_links":{"self":[{"href":"http:\/\/musikkritik.dk\/index.php?rest_route=\/wp\/v2\/posts\/206","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/musikkritik.dk\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/musikkritik.dk\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/musikkritik.dk\/index.php?rest_route=\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"http:\/\/musikkritik.dk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=206"}],"version-history":[{"count":6,"href":"http:\/\/musikkritik.dk\/index.php?rest_route=\/wp\/v2\/posts\/206\/revisions"}],"predecessor-version":[{"id":328,"href":"http:\/\/musikkritik.dk\/index.php?rest_route=\/wp\/v2\/posts\/206\/revisions\/328"}],"wp:attachment":[{"href":"http:\/\/musikkritik.dk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=206"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/musikkritik.dk\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=206"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/musikkritik.dk\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=206"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}