{"id":233,"date":"2021-11-30T16:48:22","date_gmt":"2021-11-30T16:48:22","guid":{"rendered":"http:\/\/musikkritik.dk\/?p=233"},"modified":"2023-12-29T14:19:17","modified_gmt":"2023-12-29T14:19:17","slug":"musikkonkurrencer-bind-2","status":"publish","type":"post","link":"http:\/\/musikkritik.dk\/?p=233","title":{"rendered":"Musikkonkurrencer, bind 2"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">En ny musikvidenskabelig disciplin er kommet til verden: opf\u00f8relsesanalyse. &#8220;Musikkonkurrencer, bind 2&#8221;, der grundl\u00e6gger denne nye musikvidenskabelige disciplin, omfatter 10 musikfors\u00f8g og 3 bilag. De vedh\u00e6ftede filer har flg. indhold:<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">1) Johann Sebastian Bach: Clavier\u00fcbung, Teil I: 6 Partiter for tasteinstrument (Clavier), nr. 1-3: nr. 1, B-dur, BWV 825; nr. 2, C-mol, BWV 826; nr. 3, A-mol, BWV 827<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2) B\u00e9la Bart\u00f3k: Violinkoncert nr. 2, Sz. 112, BB 117<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">3) Ludwig van Beethoven: Klavertrio, B-dur, opus 97, &#8220;\u00c6rkehertug&#8221;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">4) Johannes Brahms: Klaverkoncert nr. 2, B-dur, opus 83<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">5) Johannes Brahms: Klaverkvintet, F-mol, opus 34<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">6) Franz Joseph Haydn: Symfoni nr. 39, G-mol, Hob. I:39, &#8220;Tempesta di mare&#8221;; Symfoni nr. 45, Fis-mol, Hob. I:45, &#8220;Afskedssymfoni&#8221;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">7) Wolfgang Amadeus Mozart: Strygekvintet, G-mol, KV 516<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">8) Sergei Prokofiev: Symfoni nr. 3, C-mol, opus 44<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">9) Camille Saint-Sa\u00ebns: Violinkoncert nr. 3, H-mol, opus 61, R 198<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">10) Richard Strauss: Till Eulenspiegels lustige Streiche, opus 28, TrV 171<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">11) Introduktion<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">12) Oversigt over de musikkonkurrencer, som er gennemf\u00f8rt fra medio 2020 til ultimo 2021<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">13) Musikkonkurrenceregler (ultimo 2021)<\/p>\n\n\n\n<div data-wp-interactive=\"core\/file\" class=\"wp-block-file\"><object data-wp-bind--hidden=\"!state.hasPdfPreview\" hidden class=\"wp-block-file__embed\" data=\"http:\/\/musikkritik.dk\/wp-content\/uploads\/2021\/11\/Bach_2021_partiter.pdf\" type=\"application\/pdf\" style=\"width:100%;height:600px\" aria-label=\"Embed Bach_2021_partiter.\"><\/object><a id=\"wp-block-file--media-3a2f518a-1e99-4438-8026-455e97743420\" href=\"http:\/\/musikkritik.dk\/wp-content\/uploads\/2021\/11\/Bach_2021_partiter.pdf\">Bach_2021_partiter<\/a><a href=\"http:\/\/musikkritik.dk\/wp-content\/uploads\/2021\/11\/Bach_2021_partiter.pdf\" class=\"wp-block-file__button wp-element-button\" download aria-describedby=\"wp-block-file--media-3a2f518a-1e99-4438-8026-455e97743420\">Download<\/a><\/div>\n\n\n\n<div data-wp-interactive=\"core\/file\" class=\"wp-block-file\"><object data-wp-bind--hidden=\"!state.hasPdfPreview\" hidden class=\"wp-block-file__embed\" data=\"http:\/\/musikkritik.dk\/wp-content\/uploads\/2021\/11\/Bartok_2021_koncert.pdf\" type=\"application\/pdf\" style=\"width:100%;height:600px\" aria-label=\"Embed Bartok_2021_koncert.\"><\/object><a id=\"wp-block-file--media-d705c7c8-cbde-4938-acf2-eb53ff9765f9\" href=\"http:\/\/musikkritik.dk\/wp-content\/uploads\/2021\/11\/Bartok_2021_koncert.pdf\">Bartok_2021_koncert<\/a><a href=\"http:\/\/musikkritik.dk\/wp-content\/uploads\/2021\/11\/Bartok_2021_koncert.pdf\" class=\"wp-block-file__button wp-element-button\" download aria-describedby=\"wp-block-file--media-d705c7c8-cbde-4938-acf2-eb53ff9765f9\">Download<\/a><\/div>\n\n\n\n<div data-wp-interactive=\"core\/file\" class=\"wp-block-file\"><object data-wp-bind--hidden=\"!state.hasPdfPreview\" hidden class=\"wp-block-file__embed\" data=\"http:\/\/musikkritik.dk\/wp-content\/uploads\/2021\/11\/Beethoven_2021_trio.pdf\" type=\"application\/pdf\" style=\"width:100%;height:600px\" aria-label=\"Embed Beethoven_2021_trio.\"><\/object><a id=\"wp-block-file--media-5dc58f44-ce30-4cf9-9e46-552280af30ad\" href=\"http:\/\/musikkritik.dk\/wp-content\/uploads\/2021\/11\/Beethoven_2021_trio.pdf\">Beethoven_2021_trio<\/a><a href=\"http:\/\/musikkritik.dk\/wp-content\/uploads\/2021\/11\/Beethoven_2021_trio.pdf\" class=\"wp-block-file__button wp-element-button\" download aria-describedby=\"wp-block-file--media-5dc58f44-ce30-4cf9-9e46-552280af30ad\">Download<\/a><\/div>\n\n\n\n<div data-wp-interactive=\"core\/file\" class=\"wp-block-file\"><object data-wp-bind--hidden=\"!state.hasPdfPreview\" hidden class=\"wp-block-file__embed\" data=\"http:\/\/musikkritik.dk\/wp-content\/uploads\/2021\/11\/Brahms_2021_koncert.pdf\" type=\"application\/pdf\" style=\"width:100%;height:600px\" aria-label=\"Embed Brahms_2021_koncert.\"><\/object><a id=\"wp-block-file--media-cace8bac-6b5a-407e-a33b-cdc88e6690bc\" href=\"http:\/\/musikkritik.dk\/wp-content\/uploads\/2021\/11\/Brahms_2021_koncert.pdf\">Brahms_2021_koncert<\/a><a href=\"http:\/\/musikkritik.dk\/wp-content\/uploads\/2021\/11\/Brahms_2021_koncert.pdf\" class=\"wp-block-file__button wp-element-button\" download aria-describedby=\"wp-block-file--media-cace8bac-6b5a-407e-a33b-cdc88e6690bc\">Download<\/a><\/div>\n\n\n\n<div data-wp-interactive=\"core\/file\" class=\"wp-block-file\"><object data-wp-bind--hidden=\"!state.hasPdfPreview\" hidden class=\"wp-block-file__embed\" data=\"http:\/\/musikkritik.dk\/wp-content\/uploads\/2021\/11\/Brahms_2021_kvintet.pdf\" type=\"application\/pdf\" style=\"width:100%;height:600px\" aria-label=\"Embed Brahms_2021_kvintet.\"><\/object><a id=\"wp-block-file--media-3c0283dc-ff0c-4e68-8147-b755ce18f79c\" href=\"http:\/\/musikkritik.dk\/wp-content\/uploads\/2021\/11\/Brahms_2021_kvintet.pdf\">Brahms_2021_kvintet<\/a><a href=\"http:\/\/musikkritik.dk\/wp-content\/uploads\/2021\/11\/Brahms_2021_kvintet.pdf\" class=\"wp-block-file__button wp-element-button\" download aria-describedby=\"wp-block-file--media-3c0283dc-ff0c-4e68-8147-b755ce18f79c\">Download<\/a><\/div>\n\n\n\n<div data-wp-interactive=\"core\/file\" class=\"wp-block-file\"><object data-wp-bind--hidden=\"!state.hasPdfPreview\" hidden class=\"wp-block-file__embed\" data=\"http:\/\/musikkritik.dk\/wp-content\/uploads\/2022\/07\/Haydn_2020_symfonier.pdf\" type=\"application\/pdf\" style=\"width:100%;height:600px\" aria-label=\"Embed Haydn_2020_symfonier.\"><\/object><a id=\"wp-block-file--media-8c0549f5-86cf-4e97-8203-d97c783287d2\" href=\"http:\/\/musikkritik.dk\/wp-content\/uploads\/2022\/07\/Haydn_2020_symfonier.pdf\">Haydn_2020_symfonier<\/a><a href=\"http:\/\/musikkritik.dk\/wp-content\/uploads\/2022\/07\/Haydn_2020_symfonier.pdf\" class=\"wp-block-file__button wp-element-button\" download aria-describedby=\"wp-block-file--media-8c0549f5-86cf-4e97-8203-d97c783287d2\">Download<\/a><\/div>\n\n\n\n<div data-wp-interactive=\"core\/file\" class=\"wp-block-file\"><object data-wp-bind--hidden=\"!state.hasPdfPreview\" hidden class=\"wp-block-file__embed\" data=\"http:\/\/musikkritik.dk\/wp-content\/uploads\/2022\/07\/Mozart_2020_kvintet.pdf\" type=\"application\/pdf\" style=\"width:100%;height:600px\" aria-label=\"Embed Mozart_2020_kvintet.\"><\/object><a id=\"wp-block-file--media-1cbb7ca3-b029-44b6-93f8-667808e541a2\" href=\"http:\/\/musikkritik.dk\/wp-content\/uploads\/2022\/07\/Mozart_2020_kvintet.pdf\">Mozart_2020_kvintet<\/a><a href=\"http:\/\/musikkritik.dk\/wp-content\/uploads\/2022\/07\/Mozart_2020_kvintet.pdf\" class=\"wp-block-file__button wp-element-button\" download aria-describedby=\"wp-block-file--media-1cbb7ca3-b029-44b6-93f8-667808e541a2\">Download<\/a><\/div>\n\n\n\n<div data-wp-interactive=\"core\/file\" class=\"wp-block-file\"><object data-wp-bind--hidden=\"!state.hasPdfPreview\" hidden class=\"wp-block-file__embed\" data=\"http:\/\/musikkritik.dk\/wp-content\/uploads\/2022\/07\/Prokofiev_2021_symfoni.pdf\" type=\"application\/pdf\" style=\"width:100%;height:600px\" aria-label=\"Embed Prokofiev_2021_symfoni.\"><\/object><a id=\"wp-block-file--media-28ea2749-ede9-4008-aa71-5aa025c1be70\" href=\"http:\/\/musikkritik.dk\/wp-content\/uploads\/2022\/07\/Prokofiev_2021_symfoni.pdf\">Prokofiev_2021_symfoni<\/a><a href=\"http:\/\/musikkritik.dk\/wp-content\/uploads\/2022\/07\/Prokofiev_2021_symfoni.pdf\" class=\"wp-block-file__button wp-element-button\" download aria-describedby=\"wp-block-file--media-28ea2749-ede9-4008-aa71-5aa025c1be70\">Download<\/a><\/div>\n\n\n\n<div data-wp-interactive=\"core\/file\" class=\"wp-block-file\"><object data-wp-bind--hidden=\"!state.hasPdfPreview\" hidden class=\"wp-block-file__embed\" data=\"http:\/\/musikkritik.dk\/wp-content\/uploads\/2023\/12\/Saint-Saens_2020_koncert.pdf\" type=\"application\/pdf\" style=\"width:100%;height:600px\" aria-label=\"Embed Saint-Sa\u00ebns_2020_koncert.\"><\/object><a id=\"wp-block-file--media-c7f0fe41-abde-4874-a86a-04243225e494\" href=\"http:\/\/musikkritik.dk\/wp-content\/uploads\/2023\/12\/Saint-Saens_2020_koncert.pdf\">Saint-Sa\u00ebns_2020_koncert<\/a><a 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aria-describedby=\"wp-block-file--media-63cf6a1b-d0d7-4837-a518-c19a418a53f5\">Download<\/a><\/div>\n\n\n\n<div data-wp-interactive=\"core\/file\" class=\"wp-block-file\"><object data-wp-bind--hidden=\"!state.hasPdfPreview\" hidden class=\"wp-block-file__embed\" data=\"http:\/\/musikkritik.dk\/wp-content\/uploads\/2023\/12\/Introduktion_bind_2.pdf\" type=\"application\/pdf\" style=\"width:100%;height:600px\" aria-label=\"Embed Introduktion_bind_2.\"><\/object><a id=\"wp-block-file--media-e95efa20-8e1a-4ed4-8296-718027c69ae7\" href=\"http:\/\/musikkritik.dk\/wp-content\/uploads\/2023\/12\/Introduktion_bind_2.pdf\">Introduktion_bind_2<\/a><a href=\"http:\/\/musikkritik.dk\/wp-content\/uploads\/2023\/12\/Introduktion_bind_2.pdf\" class=\"wp-block-file__button wp-element-button\" download aria-describedby=\"wp-block-file--media-e95efa20-8e1a-4ed4-8296-718027c69ae7\">Download<\/a><\/div>\n\n\n\n<div data-wp-interactive=\"core\/file\" class=\"wp-block-file\"><object data-wp-bind--hidden=\"!state.hasPdfPreview\" hidden class=\"wp-block-file__embed\" data=\"http:\/\/musikkritik.dk\/wp-content\/uploads\/2021\/11\/Oversigt_bind_2.pdf\" type=\"application\/pdf\" style=\"width:100%;height:600px\" aria-label=\"Embed Oversigt_bind_2.\"><\/object><a id=\"wp-block-file--media-8a32751e-739e-47e3-a92e-bfb1a7f4dcb9\" href=\"http:\/\/musikkritik.dk\/wp-content\/uploads\/2021\/11\/Oversigt_bind_2.pdf\">Oversigt_bind_2<\/a><a href=\"http:\/\/musikkritik.dk\/wp-content\/uploads\/2021\/11\/Oversigt_bind_2.pdf\" class=\"wp-block-file__button wp-element-button\" download aria-describedby=\"wp-block-file--media-8a32751e-739e-47e3-a92e-bfb1a7f4dcb9\">Download<\/a><\/div>\n\n\n\n<div data-wp-interactive=\"core\/file\" class=\"wp-block-file\"><object data-wp-bind--hidden=\"!state.hasPdfPreview\" hidden class=\"wp-block-file__embed\" data=\"http:\/\/musikkritik.dk\/wp-content\/uploads\/2022\/11\/Regler_ultimo_2021.pdf\" type=\"application\/pdf\" style=\"width:100%;height:600px\" aria-label=\"Embed Regler_ultimo_2021.\"><\/object><a id=\"wp-block-file--media-80920593-ddb0-4fde-a710-a0b25b117c3e\" href=\"http:\/\/musikkritik.dk\/wp-content\/uploads\/2022\/11\/Regler_ultimo_2021.pdf\">Regler_ultimo_2021<\/a><a href=\"http:\/\/musikkritik.dk\/wp-content\/uploads\/2022\/11\/Regler_ultimo_2021.pdf\" class=\"wp-block-file__button wp-element-button\" download aria-describedby=\"wp-block-file--media-80920593-ddb0-4fde-a710-a0b25b117c3e\">Download<\/a><\/div>\n","protected":false},"excerpt":{"rendered":"<p>En ny musikvidenskabelig disciplin er kommet til verden: opf\u00f8relsesanalyse. &#8220;Musikkonkurrencer, bind 2&#8221;, der grundl\u00e6gger denne nye musikvidenskabelige disciplin, omfatter 10 musikfors\u00f8g og 3 bilag. De vedh\u00e6ftede filer har flg. indhold: 1) Johann Sebastian Bach: Clavier\u00fcbung, Teil I: 6 Partiter for tasteinstrument (Clavier), nr. 1-3: nr. 1, B-dur, BWV 825; nr. 2, C-mol, BWV 826; nr.&hellip; <a class=\"more-link\" href=\"http:\/\/musikkritik.dk\/?p=233\">L\u00e6s mere <span class=\"screen-reader-text\">Musikkonkurrencer, bind 2<\/span><\/a><\/p>\n","protected":false},"author":6,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[],"class_list":["post-233","post","type-post","status-publish","format-standard","hentry","category-bogudgivelse","entry"],"_links":{"self":[{"href":"http:\/\/musikkritik.dk\/index.php?rest_route=\/wp\/v2\/posts\/233","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/musikkritik.dk\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/musikkritik.dk\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/musikkritik.dk\/index.php?rest_route=\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"http:\/\/musikkritik.dk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=233"}],"version-history":[{"count":26,"href":"http:\/\/musikkritik.dk\/index.php?rest_route=\/wp\/v2\/posts\/233\/revisions"}],"predecessor-version":[{"id":372,"href":"http:\/\/musikkritik.dk\/index.php?rest_route=\/wp\/v2\/posts\/233\/revisions\/372"}],"wp:attachment":[{"href":"http:\/\/musikkritik.dk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=233"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/musikkritik.dk\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=233"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/musikkritik.dk\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=233"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}