{"id":354,"date":"2023-12-28T18:01:57","date_gmt":"2023-12-28T18:01:57","guid":{"rendered":"http:\/\/musikkritik.dk\/?p=354"},"modified":"2026-06-07T09:02:07","modified_gmt":"2026-06-07T09:02:07","slug":"musikkonkurrencer-bind-3","status":"publish","type":"post","link":"http:\/\/musikkritik.dk\/?p=354","title":{"rendered":"Musikkonkurrencer, bind 3"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">I &#8220;Musikkonkurrencer, bind 2&#8221; grundlagde jeg en ny musikvidenskabelig disciplin ved navn musikalsk opf\u00f8relsesanalyse. Efter 27 m\u00e5neders arbejde kan jeg nu pr\u00e6sentere &#8220;Musikkonkurrencer, bind 3&#8221;, der indeholder en langt mere omfattende introduktion. Forh\u00e5bentlig vil denne introduktion adressere st\u00f8rsteparten af de forst\u00e5elsesproblemer, som &#8220;Musikkonkurrencer, bind 2&#8221; har voldt mine l\u00e6sere. &#8220;Musikkonkurrencer, bind 3&#8221; omfatter 10 musikfors\u00f8g og 5 bilag. De vedh\u00e6ftede filer har flg. indhold:<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">1) Antonio Vivaldi: Il cimento dell&#8217;armonia e dell&#8217;inventione, opus 8, nr. 8-9, 11-12: nr. 8, G-mol, RV 332; nr. 9, D-mol, RV 236; nr. 11, D-dur, RV 210; nr. 12, C-dur, RV 178<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2) Claude Debussy: \u00c9tudes, L. 136, CD 143<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">3) Ludwig van Beethoven: Strygekvartetter, opus 59, &#8220;Razumovsky-kvartetterne&#8221;, nr. 1, F-dur<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">4) Johannes Brahms: Symfoni nr. 1, C-mol, opus 68<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">5) \u00c9douard Lalo: Symphonie espagnole, D-mol, opus 21<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">6) Arnold Sch\u00f6nberg: Klaverkoncert, opus 42<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">7) Richard Strauss: Violinsonate, Es-dur, opus 18, TrV 151<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">8) Maurice Ravel: Gaspard de la nuit, M. 55<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">9) Georg Philipp Telemann: Ouverturesuite, Hamburger Ebb&#8217; und Fluth, TWV 55:C3, &#8220;Wassermusik&#8221;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">10) Igor Stravinsky: Violinkoncert, D-dur (1931), K053<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">11) Adgangsbegr\u00e6nsning<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">12) Introduktion<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">13) Oversigt over musikkonkurrencerne i oktet nr. 1<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">14) Oversigt over de musikkonkurrencer, som er gennemf\u00f8rt fra ultimo 2021 til ultimo 2023<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">15) Musikkonkurrenceregler (ultimo 2023)<\/p>\n\n\n\n<div data-wp-interactive=\"core\/file\" class=\"wp-block-file\"><object data-wp-bind--hidden=\"!state.hasPdfPreview\" hidden class=\"wp-block-file__embed\" data=\"http:\/\/musikkritik.dk\/wp-content\/uploads\/2023\/12\/Vivaldi_2021_koncerter.pdf\" type=\"application\/pdf\" style=\"width:100%;height:600px\" aria-label=\"Embed Vivaldi_2021_koncerter.\"><\/object><a id=\"wp-block-file--media-6d22380b-f095-4a67-b234-02bf5c795ccd\" href=\"http:\/\/musikkritik.dk\/wp-content\/uploads\/2023\/12\/Vivaldi_2021_koncerter.pdf\">Vivaldi_2021_koncerter<\/a><a href=\"http:\/\/musikkritik.dk\/wp-content\/uploads\/2023\/12\/Vivaldi_2021_koncerter.pdf\" class=\"wp-block-file__button wp-element-button\" download aria-describedby=\"wp-block-file--media-6d22380b-f095-4a67-b234-02bf5c795ccd\">Download<\/a><\/div>\n\n\n\n<div data-wp-interactive=\"core\/file\" class=\"wp-block-file\"><object data-wp-bind--hidden=\"!state.hasPdfPreview\" hidden class=\"wp-block-file__embed\" data=\"http:\/\/musikkritik.dk\/wp-content\/uploads\/2023\/12\/Debussy_2022_etuder.pdf\" type=\"application\/pdf\" style=\"width:100%;height:600px\" aria-label=\"Embed Debussy_2022_etuder.\"><\/object><a id=\"wp-block-file--media-e385b0c9-99d3-4269-aef3-93cb579d5126\" href=\"http:\/\/musikkritik.dk\/wp-content\/uploads\/2023\/12\/Debussy_2022_etuder.pdf\">Debussy_2022_etuder<\/a><a href=\"http:\/\/musikkritik.dk\/wp-content\/uploads\/2023\/12\/Debussy_2022_etuder.pdf\" class=\"wp-block-file__button wp-element-button\" download aria-describedby=\"wp-block-file--media-e385b0c9-99d3-4269-aef3-93cb579d5126\">Download<\/a><\/div>\n\n\n\n<div data-wp-interactive=\"core\/file\" class=\"wp-block-file\"><object data-wp-bind--hidden=\"!state.hasPdfPreview\" hidden class=\"wp-block-file__embed\" data=\"http:\/\/musikkritik.dk\/wp-content\/uploads\/2023\/12\/Beethoven_2022_kvartet.pdf\" type=\"application\/pdf\" style=\"width:100%;height:600px\" aria-label=\"Embed Beethoven_2022_kvartet.\"><\/object><a id=\"wp-block-file--media-c9219f22-e701-494b-bf29-10041c80e5da\" href=\"http:\/\/musikkritik.dk\/wp-content\/uploads\/2023\/12\/Beethoven_2022_kvartet.pdf\">Beethoven_2022_kvartet<\/a><a href=\"http:\/\/musikkritik.dk\/wp-content\/uploads\/2023\/12\/Beethoven_2022_kvartet.pdf\" class=\"wp-block-file__button wp-element-button\" download aria-describedby=\"wp-block-file--media-c9219f22-e701-494b-bf29-10041c80e5da\">Download<\/a><\/div>\n\n\n\n<div data-wp-interactive=\"core\/file\" class=\"wp-block-file\"><object data-wp-bind--hidden=\"!state.hasPdfPreview\" hidden class=\"wp-block-file__embed\" data=\"http:\/\/musikkritik.dk\/wp-content\/uploads\/2023\/12\/Brahms_2022_symfoni.pdf\" type=\"application\/pdf\" style=\"width:100%;height:600px\" aria-label=\"Embed Brahms_2022_symfoni.\"><\/object><a id=\"wp-block-file--media-1fe671d0-6ba6-4c9a-a339-4de590abca8b\" href=\"http:\/\/musikkritik.dk\/wp-content\/uploads\/2023\/12\/Brahms_2022_symfoni.pdf\">Brahms_2022_symfoni<\/a><a href=\"http:\/\/musikkritik.dk\/wp-content\/uploads\/2023\/12\/Brahms_2022_symfoni.pdf\" class=\"wp-block-file__button wp-element-button\" download aria-describedby=\"wp-block-file--media-1fe671d0-6ba6-4c9a-a339-4de590abca8b\">Download<\/a><\/div>\n\n\n\n<div data-wp-interactive=\"core\/file\" class=\"wp-block-file\"><object data-wp-bind--hidden=\"!state.hasPdfPreview\" hidden class=\"wp-block-file__embed\" data=\"http:\/\/musikkritik.dk\/wp-content\/uploads\/2023\/12\/Lalo_2022_koncert.pdf\" type=\"application\/pdf\" style=\"width:100%;height:600px\" aria-label=\"Embed Lalo_2022_koncert.\"><\/object><a id=\"wp-block-file--media-52608d34-1c26-460f-b04d-56af55ba6f51\" href=\"http:\/\/musikkritik.dk\/wp-content\/uploads\/2023\/12\/Lalo_2022_koncert.pdf\">Lalo_2022_koncert<\/a><a href=\"http:\/\/musikkritik.dk\/wp-content\/uploads\/2023\/12\/Lalo_2022_koncert.pdf\" class=\"wp-block-file__button wp-element-button\" download aria-describedby=\"wp-block-file--media-52608d34-1c26-460f-b04d-56af55ba6f51\">Download<\/a><\/div>\n\n\n\n<div data-wp-interactive=\"core\/file\" class=\"wp-block-file\"><object data-wp-bind--hidden=\"!state.hasPdfPreview\" hidden class=\"wp-block-file__embed\" data=\"http:\/\/musikkritik.dk\/wp-content\/uploads\/2023\/12\/Schoenberg_2023_koncert.pdf\" type=\"application\/pdf\" style=\"width:100%;height:600px\" aria-label=\"Embed Schoenberg_2023_koncert.\"><\/object><a id=\"wp-block-file--media-1b1a352f-829d-48bd-837c-3d9d02e64bc6\" href=\"http:\/\/musikkritik.dk\/wp-content\/uploads\/2023\/12\/Schoenberg_2023_koncert.pdf\">Schoenberg_2023_koncert<\/a><a href=\"http:\/\/musikkritik.dk\/wp-content\/uploads\/2023\/12\/Schoenberg_2023_koncert.pdf\" class=\"wp-block-file__button wp-element-button\" download aria-describedby=\"wp-block-file--media-1b1a352f-829d-48bd-837c-3d9d02e64bc6\">Download<\/a><\/div>\n\n\n\n<div data-wp-interactive=\"core\/file\" class=\"wp-block-file\"><object data-wp-bind--hidden=\"!state.hasPdfPreview\" hidden class=\"wp-block-file__embed\" data=\"http:\/\/musikkritik.dk\/wp-content\/uploads\/2023\/12\/Strauss_2023_sonate.pdf\" type=\"application\/pdf\" style=\"width:100%;height:600px\" aria-label=\"Embed Strauss_2023_sonate.\"><\/object><a id=\"wp-block-file--media-471750c7-f520-4a0a-a138-0ed8582f0fff\" href=\"http:\/\/musikkritik.dk\/wp-content\/uploads\/2023\/12\/Strauss_2023_sonate.pdf\">Strauss_2023_sonate<\/a><a href=\"http:\/\/musikkritik.dk\/wp-content\/uploads\/2023\/12\/Strauss_2023_sonate.pdf\" class=\"wp-block-file__button wp-element-button\" download aria-describedby=\"wp-block-file--media-471750c7-f520-4a0a-a138-0ed8582f0fff\">Download<\/a><\/div>\n\n\n\n<div data-wp-interactive=\"core\/file\" class=\"wp-block-file\"><object data-wp-bind--hidden=\"!state.hasPdfPreview\" hidden class=\"wp-block-file__embed\" data=\"http:\/\/musikkritik.dk\/wp-content\/uploads\/2023\/12\/Ravel_2023_solostykker.pdf\" type=\"application\/pdf\" style=\"width:100%;height:600px\" aria-label=\"Embed Ravel_2023_solostykker.\"><\/object><a id=\"wp-block-file--media-24bf8b2f-05ca-4627-bb5c-02f713ced00f\" href=\"http:\/\/musikkritik.dk\/wp-content\/uploads\/2023\/12\/Ravel_2023_solostykker.pdf\">Ravel_2023_solostykker<\/a><a href=\"http:\/\/musikkritik.dk\/wp-content\/uploads\/2023\/12\/Ravel_2023_solostykker.pdf\" class=\"wp-block-file__button wp-element-button\" download aria-describedby=\"wp-block-file--media-24bf8b2f-05ca-4627-bb5c-02f713ced00f\">Download<\/a><\/div>\n\n\n\n<div data-wp-interactive=\"core\/file\" class=\"wp-block-file\"><object data-wp-bind--hidden=\"!state.hasPdfPreview\" hidden class=\"wp-block-file__embed\" data=\"http:\/\/musikkritik.dk\/wp-content\/uploads\/2023\/12\/Telemann_2023_suite.pdf\" type=\"application\/pdf\" style=\"width:100%;height:600px\" aria-label=\"Embed Telemann_2023_suite.\"><\/object><a id=\"wp-block-file--media-4ff84c50-740d-460e-984e-056db8f7c88c\" href=\"http:\/\/musikkritik.dk\/wp-content\/uploads\/2023\/12\/Telemann_2023_suite.pdf\">Telemann_2023_suite<\/a><a href=\"http:\/\/musikkritik.dk\/wp-content\/uploads\/2023\/12\/Telemann_2023_suite.pdf\" class=\"wp-block-file__button wp-element-button\" download aria-describedby=\"wp-block-file--media-4ff84c50-740d-460e-984e-056db8f7c88c\">Download<\/a><\/div>\n\n\n\n<div data-wp-interactive=\"core\/file\" class=\"wp-block-file\"><object data-wp-bind--hidden=\"!state.hasPdfPreview\" hidden class=\"wp-block-file__embed\" data=\"http:\/\/musikkritik.dk\/wp-content\/uploads\/2023\/12\/Adgangsbegraensning.pdf\" type=\"application\/pdf\" style=\"width:100%;height:600px\" aria-label=\"Embed Adgangsbegraensning.\"><\/object><a id=\"wp-block-file--media-f7752229-d1af-45c1-89f6-5ccb6088ab55\" href=\"http:\/\/musikkritik.dk\/wp-content\/uploads\/2023\/12\/Adgangsbegraensning.pdf\">Adgangsbegraensning<\/a><a href=\"http:\/\/musikkritik.dk\/wp-content\/uploads\/2023\/12\/Adgangsbegraensning.pdf\" class=\"wp-block-file__button wp-element-button\" download aria-describedby=\"wp-block-file--media-f7752229-d1af-45c1-89f6-5ccb6088ab55\">Download<\/a><\/div>\n\n\n\n<div data-wp-interactive=\"core\/file\" class=\"wp-block-file\"><object data-wp-bind--hidden=\"!state.hasPdfPreview\" hidden class=\"wp-block-file__embed\" data=\"http:\/\/musikkritik.dk\/wp-content\/uploads\/2023\/12\/Introduktion_bind_3.pdf\" type=\"application\/pdf\" style=\"width:100%;height:600px\" aria-label=\"Embed Introduktion_bind_3.\"><\/object><a id=\"wp-block-file--media-e16a2973-6cd0-49c8-b6d0-4c162b865a5d\" href=\"http:\/\/musikkritik.dk\/wp-content\/uploads\/2023\/12\/Introduktion_bind_3.pdf\">Introduktion_bind_3<\/a><a href=\"http:\/\/musikkritik.dk\/wp-content\/uploads\/2023\/12\/Introduktion_bind_3.pdf\" class=\"wp-block-file__button wp-element-button\" download aria-describedby=\"wp-block-file--media-e16a2973-6cd0-49c8-b6d0-4c162b865a5d\">Download<\/a><\/div>\n\n\n\n<div data-wp-interactive=\"core\/file\" class=\"wp-block-file\"><object data-wp-bind--hidden=\"!state.hasPdfPreview\" hidden class=\"wp-block-file__embed\" data=\"http:\/\/musikkritik.dk\/wp-content\/uploads\/2023\/12\/Oktet_1.pdf\" type=\"application\/pdf\" style=\"width:100%;height:600px\" aria-label=\"Embed Oktet_1.\"><\/object><a id=\"wp-block-file--media-dd078121-8791-4979-8289-fe4127b83458\" href=\"http:\/\/musikkritik.dk\/wp-content\/uploads\/2023\/12\/Oktet_1.pdf\">Oktet_1<\/a><a href=\"http:\/\/musikkritik.dk\/wp-content\/uploads\/2023\/12\/Oktet_1.pdf\" class=\"wp-block-file__button wp-element-button\" download aria-describedby=\"wp-block-file--media-dd078121-8791-4979-8289-fe4127b83458\">Download<\/a><\/div>\n\n\n\n<div data-wp-interactive=\"core\/file\" class=\"wp-block-file\"><object data-wp-bind--hidden=\"!state.hasPdfPreview\" hidden class=\"wp-block-file__embed\" data=\"http:\/\/musikkritik.dk\/wp-content\/uploads\/2023\/12\/Oversigt_bind_3.pdf\" type=\"application\/pdf\" style=\"width:100%;height:600px\" aria-label=\"Embed Oversigt_bind_3.\"><\/object><a id=\"wp-block-file--media-5ce8d647-e8e2-4c5f-9150-6181a7b65415\" href=\"http:\/\/musikkritik.dk\/wp-content\/uploads\/2023\/12\/Oversigt_bind_3.pdf\">Oversigt_bind_3<\/a><a href=\"http:\/\/musikkritik.dk\/wp-content\/uploads\/2023\/12\/Oversigt_bind_3.pdf\" class=\"wp-block-file__button wp-element-button\" download aria-describedby=\"wp-block-file--media-5ce8d647-e8e2-4c5f-9150-6181a7b65415\">Download<\/a><\/div>\n\n\n\n<div data-wp-interactive=\"core\/file\" class=\"wp-block-file\"><object data-wp-bind--hidden=\"!state.hasPdfPreview\" hidden class=\"wp-block-file__embed\" data=\"http:\/\/musikkritik.dk\/wp-content\/uploads\/2023\/12\/Regler_ultimo_2023.pdf\" type=\"application\/pdf\" style=\"width:100%;height:600px\" aria-label=\"Embed Regler_ultimo_2023.\"><\/object><a id=\"wp-block-file--media-76992d31-9db1-408e-b5cd-b52676e3ca3b\" href=\"http:\/\/musikkritik.dk\/wp-content\/uploads\/2023\/12\/Regler_ultimo_2023.pdf\">Regler_ultimo_2023<\/a><a href=\"http:\/\/musikkritik.dk\/wp-content\/uploads\/2023\/12\/Regler_ultimo_2023.pdf\" class=\"wp-block-file__button wp-element-button\" download aria-describedby=\"wp-block-file--media-76992d31-9db1-408e-b5cd-b52676e3ca3b\">Download<\/a><\/div>\n\n\n\n<div data-wp-interactive=\"core\/file\" class=\"wp-block-file\"><object data-wp-bind--hidden=\"!state.hasPdfPreview\" hidden class=\"wp-block-file__embed\" data=\"http:\/\/musikkritik.dk\/wp-content\/uploads\/2026\/06\/Stravinsky_2023_koncert.pdf\" type=\"application\/pdf\" style=\"width:100%;height:600px\" aria-label=\"Embed Stravinsky_2023_koncert.\"><\/object><a id=\"wp-block-file--media-5492d731-9f19-4eb2-b1cc-e4adf46f7b19\" href=\"http:\/\/musikkritik.dk\/wp-content\/uploads\/2026\/06\/Stravinsky_2023_koncert.pdf\">Stravinsky_2023_koncert<\/a><a href=\"http:\/\/musikkritik.dk\/wp-content\/uploads\/2026\/06\/Stravinsky_2023_koncert.pdf\" class=\"wp-block-file__button wp-element-button\" download aria-describedby=\"wp-block-file--media-5492d731-9f19-4eb2-b1cc-e4adf46f7b19\">Download<\/a><\/div>\n","protected":false},"excerpt":{"rendered":"<p>I &#8220;Musikkonkurrencer, bind 2&#8221; grundlagde jeg en ny musikvidenskabelig disciplin ved navn musikalsk opf\u00f8relsesanalyse. Efter 27 m\u00e5neders arbejde kan jeg nu pr\u00e6sentere &#8220;Musikkonkurrencer, bind 3&#8221;, der indeholder en langt mere omfattende introduktion. Forh\u00e5bentlig vil denne introduktion adressere st\u00f8rsteparten af de forst\u00e5elsesproblemer, som &#8220;Musikkonkurrencer, bind 2&#8221; har voldt mine l\u00e6sere. &#8220;Musikkonkurrencer, bind 3&#8221; omfatter 10 musikfors\u00f8g&hellip; <a class=\"more-link\" href=\"http:\/\/musikkritik.dk\/?p=354\">L\u00e6s mere <span class=\"screen-reader-text\">Musikkonkurrencer, bind 3<\/span><\/a><\/p>\n","protected":false},"author":6,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[],"class_list":["post-354","post","type-post","status-publish","format-standard","hentry","category-bogudgivelse","entry"],"_links":{"self":[{"href":"http:\/\/musikkritik.dk\/index.php?rest_route=\/wp\/v2\/posts\/354","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/musikkritik.dk\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/musikkritik.dk\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/musikkritik.dk\/index.php?rest_route=\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"http:\/\/musikkritik.dk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=354"}],"version-history":[{"count":5,"href":"http:\/\/musikkritik.dk\/index.php?rest_route=\/wp\/v2\/posts\/354\/revisions"}],"predecessor-version":[{"id":452,"href":"http:\/\/musikkritik.dk\/index.php?rest_route=\/wp\/v2\/posts\/354\/revisions\/452"}],"wp:attachment":[{"href":"http:\/\/musikkritik.dk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=354"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/musikkritik.dk\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=354"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/musikkritik.dk\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=354"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}